Fringed

Since I had to be in Edinburgh anyway on the first weekend of August, I thought I'd see which Fringe music shows had already got started. Not many, if you look through the enormous programme. I sat in Hilary's kitchen thumbing through it: the first thing we fancied had been cancelled; the next couple were starting in about 10 minutes, leaving us no time to get there. We finally settled on something called Café Cadenza, described thus: "Eclectic wind virtuoso John Sampson and songwriting singer-guitarist Stewart Hanratty produce an hour of classy music, ranging from Stewart's contemporary tales to John's recorder, crumhorn and trumpet, creating a warm, forget-the-word atmosphere."

Well. Mention recorders and crumhorns and I'm yours. Hilary was inclined to agree, so we chucked the Fringe programme in the back of the car and set off. Halfway there, I said to Hilary, " It was at that place in Nicholson Street, wasn't it?" And Hilary replied, with absolute conviction, "No, no, that was the one we couldn't get to - this one's at the Carlton Hotel." "Are you sure?" said I, not at all sure myself now. "Positive," said Hilary. How could I argue with that?

The Carlton Hotel is not the sort of place you can get parked outside, so we parked away back up Nicholson Street and walked very fast down to the North Bridge, as the show would be starting quite shortly. Like most venues during the festival, the Carlton was festooned with a variety of Fringe posters. Hilary started following some people who looked like musicians, in through the front door of the hotel, through the lobby and down a back staircase. Like a sheep, I followed her, feeling the whole thing was somehow wrong. Eventually one of the musicians turned round and explained that although this was indeed the way to the venue, if we followed any further we'd end up on the stage with them, and we ought to go in through the other door.

Back up the stairs we trotted, somewhat faster than before, then out through the main door and back in through the side door, where a girl at a desk claimed she'd never heard of Café Cadenza. I borrowed her copy of the Fringe Programme (for ours was still lurking several blocks away in the back of my car) and discovered that, astonishingly, Hilary had been wrong, and the show was indeed in the venue, named for the duration, as, 'The Zoo, Southside,' back up the road in Nicholson Street.

We nearly ran this time, back up across the High Street, up Nicholson Street, past where I'd parked the car, and about the same distance in the opposite direction until we reached the old church where the show was about to start any moment.

"After all this," I thought, "it had better be bloody good."

We found a seat in a little room set up with 'cabaret seating' as they call it in the Kirkgate - tables, chairs and candles, with a few fairy lights draped around a red velvet curtain to provide a stage.

A man with a guitar appeared, propped up several strange paintings on a chair, and started to sing. I still have no idea what he was singing about as his enunciation wasn't too good, but the songs seemed to be connected in some way with the paintings, which we deduced he had probably created himself. I'm sure this would have been much more enjoyable had we been issued with sheets containing the lyrics - the songs were probably very funny, or sad, or thought-provoking, or profound, or just damn good poetry, but we'll never know.

Had it not been for the promise of recorders and crumhorns I'd have got up and left. I could think of several things I'd rather be doing in Edinburgh on a Saturday night. Suddenly, when I just thought I couldn't take any more, a big man with an interesting beard burst on to the scene playing a post horn with great enthusiasm, and from this point on the whole show livened up.

John Sampson (for it was he) is a skilled performer on a variety of wind instruments, which he plays with aplomb. He's also very funny, and one of those people with the ability to get a laugh with just the odd raised eyebrow. Stewart Hanratty, the guitarist, slipped easily into a role much better suited to him, that of accompanist, and between them they entertained us delightfully for three quarters of an hour.

Shame about those first 15 minutes, really.

If Mr Hanratty really must sing his songs, the least he could do would be to intersperse them throughout the show, in between John Sampson's instrumental pieces, though quite honestly, the whole thing would have been better without the songs at all. Sorry, Stewart.