Snake Davies Woodwind workshop

Busy old week, this. Still recovering from Michael Schenker's gig last night, I find myself at the Rosehill Barn clutching Steve's lovely Martin alto sax and learning some tricks of the trade from Snake Davies, virtuoso jazz saxophonist/flautist.

I find the place full of our customers: mostly sax players, but a couple of flutes and a clarinet as well. I did toy with the idea of bringing one of my recorders, but decided it might be just a bit too radical, expecting such a thing to be accepted as a potential jazz instrument.

After too many years playing classical music from the dots, and folk music from memory (but sticking to the same tune all the time) I find it really hard to let loose and play solos based only a chord pattern. It's OK on a guitar - your fingers fall into the chord shape and all you have to do is play those particular notes in some random sort of sequence for it to sound like an interesting improvised solo, but on a wind instrument it's much harder. I tend to start off OK, and then get lost in whatever I've started playing, and by the time I'm halfway through I've completely lost track of which chord I'm supposed to be playing with. I guess practising occasionally might help . . .